O Dread Queen
Soft shadows in velvet
the only color in a gray space
If ever I have offered gifts to you
If ever I have picked flowers in your name
If ever I have mourned your journey
Hear now my prayer
Persephone, honored one.
Wife of Hades, lady of the Underworld
My heart is your heart
My path is your path
My journey has followed yours
from innocence to wisdom
I began a child with eyes wide open
and I have traveled through the spring and summer
and the Autumn and winter
And back to spring again
following in your footsteps
waxing and waning between the living and the dead
Persephone, I sing of you
I am now a woman, grown as you have grown
I am a lover, I am a wife
I honor you with every day I breathe
O Persephone. Hear now my prayer.
Saturday, January 16, 2010
Thursday, January 14, 2010
Persephone's Breakfast
There is no specific reason why I am associating this with Persephone except that one of the three ingrediants is pumpkin. When I think "Pumpkin," I think "Autumn" and so I think "Persephone".
I am not exactly sure where I saw this - it was on either on Yahoo! or MSN. With the glut* of on-line articles about how to reign in your weight for New Year, this particularly suggestion sounded very tasty.
It starts with Vanilla Yogurt. I couldn't remember the amounts, so I guessed. I got regular low fat vanilla yogert - just the grocery store brand. One serving was a cup, but I didn't think I needed that much so I went with half a cup. Next you add 100% pure pumpkin puree: I added with a tablespoon which turned out to be plenty. Mix. Then add ground cinnamon to taste. I also added a little dash of cinnamon surgar, but I dont think it really needs the extra sweetness since the yogurt is already. And Voila! A yummy morning treat or anytime snack.
*No pun intended...?
I am not exactly sure where I saw this - it was on either on Yahoo! or MSN. With the glut* of on-line articles about how to reign in your weight for New Year, this particularly suggestion sounded very tasty.
It starts with Vanilla Yogurt. I couldn't remember the amounts, so I guessed. I got regular low fat vanilla yogert - just the grocery store brand. One serving was a cup, but I didn't think I needed that much so I went with half a cup. Next you add 100% pure pumpkin puree: I added with a tablespoon which turned out to be plenty. Mix. Then add ground cinnamon to taste. I also added a little dash of cinnamon surgar, but I dont think it really needs the extra sweetness since the yogurt is already. And Voila! A yummy morning treat or anytime snack.
*No pun intended...?
Wednesday, January 13, 2010
Mary Shelley: Proserpine
So, apparently, Mary Shelley - you know, the author of Frankenstein - wrote some plays. They were lost for a long time, but rediscovered and as part of the public domain they were published by several companies. They are usually published together as Proserpine and Midas: Two Mythological Dramas.
The voice of Proserpine in this play is very much rooted in the Romantic Era. The play takes many of its main points directly from the Homeric Hymn to Demeter, but just as Shelley writes Frankenstein from her own personal experiences, so does she twist the character of Proserpine just a little bit.
The play opens with Proserpine and Ceres (Persephone and Demeter) discussing whether or not Ceres has to leave her daughter behind on the Enna Plain in Sicily. Proserpine begs her mother to stay with her, but Ceres insists that she needs to leave to attend to a feast among the Gods and that she has been summoned there by Jove (Zeus) himself. She leaves Proserpine in the care of the Nymphs, Ino and Eunoe.
There are many long and poetic speeches in this play and for a long time Proserpine and the nymphs talk about frolicking in the meadow. As you might expect, the Nymphs fail in their attempt to watch Proserpine, and the story continues as Homer dictates.
Just before Persephone discovers she is alone, she sings:
It is after this song that she realizes she is alone, and so she wanders off. The nymphs return to discover their charge is nowhere to be found. And Ceres returns just in the moment before they are able to go the pet store and get the replacement goldfish. And the curtain falls.
Act Two plays out just like the Homeric Hymn as Ceres does not know the fate of her daughter and wanders the world lost and alone. And it ends with the reunion of mother and daughter. However, the Proserpine of Shelley's play seems more pleased with her marriage than the Persephone of Homer's hymn. I have to admit that I love that about Shelley's version. "This is not misery," she said, "Tis but a slight change."
There is some debate as to whether Shelley ever intended for this play to be performed, but I would really love to see this drama on stage.
The voice of Proserpine in this play is very much rooted in the Romantic Era. The play takes many of its main points directly from the Homeric Hymn to Demeter, but just as Shelley writes Frankenstein from her own personal experiences, so does she twist the character of Proserpine just a little bit.
The play opens with Proserpine and Ceres (Persephone and Demeter) discussing whether or not Ceres has to leave her daughter behind on the Enna Plain in Sicily. Proserpine begs her mother to stay with her, but Ceres insists that she needs to leave to attend to a feast among the Gods and that she has been summoned there by Jove (Zeus) himself. She leaves Proserpine in the care of the Nymphs, Ino and Eunoe.
There are many long and poetic speeches in this play and for a long time Proserpine and the nymphs talk about frolicking in the meadow. As you might expect, the Nymphs fail in their attempt to watch Proserpine, and the story continues as Homer dictates.
Just before Persephone discovers she is alone, she sings:
Sacred Goddess, Mother Earth,
Thou from whose immortal bosom
Gods, and men, and beasts have birth,
Leaf, and blade, and bud, and blossom,
Breathe thine influence most divine
On thine own child Proserpine
If with mists of evening dew
Thou dost nourish these young flowers
Till they grow in scent and hue
Fairest children of the hours,
Breathe thine influence most divine
One thine own child Proserpine
It is after this song that she realizes she is alone, and so she wanders off. The nymphs return to discover their charge is nowhere to be found. And Ceres returns just in the moment before they are able to go the pet store and get the replacement goldfish. And the curtain falls.
Act Two plays out just like the Homeric Hymn as Ceres does not know the fate of her daughter and wanders the world lost and alone. And it ends with the reunion of mother and daughter. However, the Proserpine of Shelley's play seems more pleased with her marriage than the Persephone of Homer's hymn. I have to admit that I love that about Shelley's version. "This is not misery," she said, "Tis but a slight change."
There is some debate as to whether Shelley ever intended for this play to be performed, but I would really love to see this drama on stage.
Friday, January 8, 2010
Chapter Four: The Ripening
It had been several months. This particular morning, Demi woke and wondered where exactly she was, remembering she was in Gus's California king bed in his Manhattan penthouse. It is where she had woken up most mornings these days. She saw the sleeping form of her lover next to her tangled in the Egyptian cotton bed sheets. Demi scooted her body closer to him and kissed his honey sweet lips lightly. The red numbers on the digital clock told her it was already 9am, but there was no light coming in through the cracks in the drapes.
Demi slithered out of the bed and wrapped herself in a silk robe. She walked out into the living room where she could see out the picture windows. Just like the day she met Gus, the sky was black and the storm clouds looked ominous. In a penthouse, there was no where to hide and she began to panic. She hurried back into the bedroom and shook Gus's shoulder. He opened his blue eyes and smiled, but changed his expression as soon as he saw her face. "What's wrong?" he asked, sitting up.
"There is another storm." she responded. He snatched the remote control from the bedside table that drew the curtains from the windows. The light in the room didn't change once the windows were drape-free. There was no rain yet where they were, but they could see the lines in the sky in the distance.
Gus furrowed his brows. "I suppose we should get out of here. Or at least get downstairs." He stood up, not bothering to cover himself. He rushed into his house sized closet to pull on jeans and a polo shirt. Demi traded her robe for a sundress and pulled her hair in a pony tail. She had begun keeping clothes at the penthouse. It wasn't something that seemed to be forbidden, and it didn't appear that Hannah Gray was every going to visit her husband in the city. Gus had spent most of the summer in New York, and Demi wasn't sure what fall would bring. Except, possibly, this storm. Perhaps this wasn't a coincidence.
Once dressed, she and Gus hurried down to the ground floor. Without the awkwardness of high heeled shoes, Demi managed to stay upright this time. As they reached the lobby they found they were just in time to see the hail start. She shouted out in surprise when the first hailstone hit the plate glass window in the lobby. "Isn't it August?" She asked in shock.
"I'll admit it is unusual," Gus said with some humor in his voice. "When this lets up a bit, I'll just get you home where you can be safe in case it storms all day." Demi nodded. He kissed the top her head, didn't even worry about the doorman looking on.
They stood in silence watching the storm roll through. Demi remembered reading a story on the internet just after the last big storm, the day she met Gus, about a new cloud type. A woman in Iowa had discovered it and taken photographs back in 2006. The local weather has been comparing that storm to the photos from Iowa. The woman described it as "Armageddon", which seemed appropriate. Demi thought of these clouds as Gus's clouds. At first, she didn't even hate them for the storm. Now she was starting to worry that they were back with some sort of vengeance. Scientists were still skeptical that these were even a new cloud type, but they certainly weren't like anything Demi had seen before. Just like the woman described in the article that Demi had read, this storm and these rolling clouds passed quickly. As the storm passed, Demi felt Gus's hand on the small of her back as he began to steer her toward the door.
Once in the car, as the sun began to glow hot over the city, Demi smiled up at Gus. "I think these storms are something you cause." She said.
He laughed, "How do you suppose that happens?"
"I don't know. Maybe the hand of God. Maybe he is angry at us."
"Would it help if I told you I don't believe in God?"
"I believe you think you are a God," Demi said teasingly. Gus laughed out loud again.
"Well, that may certainly be true."
He pulled the car in front of her office complex. Demi leaned in to kiss him before getting out of the car. "I'll call you later" he said and she shut the door.
Over the months, things had become pretty interesting. She was still working as a temp at Tempest. They didn't communicate in the office at all. But they did go out in public. They had avoided any sort of press, and she didn't actually know if anyone with any level of power had seen them, but she tried to keep a low profile when they weren't together. She stopped trying to socialize with the other temps. She knew they must all know. She knew everyone must all know, but no one was saying a word to her directly. They probably never would. She knew this had happened before. She wasn't going to lie to herself thinking it might be the last time either. But for now, she was having fun.
As she started to settle in, she thought about all the things she needed to do at her own apartment. She hadn't spent many weekends at home this summer. And even some weeknights she spent at Gus's penthouse. So, Demi decided to clean her bathroom. She changed her clothes, got out the cleaning supplies and started working. She didn't know if the storms would be back and she and Gus hadn't made any new plans for the day.
When she opened the medicine cabinet her mouth dropped open. Suddenly the entire summer of spending nights and days with Gus Gray came rushing over her like the storm clouds over the city. Sitting there, on the shelf, was a packet of birth control pills. The prescription was dated for May. She pulled the packet from the sleeve and realized it was completely unopened - unused. "Oh hell," she said to herself. She had been forgetting the pills. By the looks of things she hadn't taken them for more than two months. It wasn't like she had a lot of experience before now with this type of thing and supposed it had just slipped her mind. She sat down on the toilet. "Oh, my god" she repeated over and over again. But maybe she was fine. Maybe she should start taking them now. When was her last period? Dread filled her entire body.
The rest of the afternoon was a blur. With the cleaning products still strewn about her bathroom, she had run to the drug store and bought more than one pregnancy test. She didn't feel pregnant. She didn't know what that even meant, really. It wasn't like she had ever been pregnant before. She wasn't nauseous, she wasn't gaining weight. She remembered watching the show on the Discovery Channel - "I Didn't Know I Was Pregnant." She thought every time that there couldn't possibly be any way someone wouldn't know. Before taking the first test, she sat and stared at the instructions for what must have been hours. She didn't read them, she just stared at them. Finally her mind absorbed the process. She took the test and paced the hallway waiting for the results. She started to feel light headed now. She had launched from a great night right into the eye of the storm. Those low rolling clouds that she saw today became just as much an omen for what was happening to her now as the storm had been on the day she had met Gus Gray. The storm might not have brought him into her life, maybe it had been warning her. She had been lying to her mother. People were talking behind her back at work. Thoughts swam in her mind. The confusion of thoughts was interrupted by the buzz of the egg timer in the bathroom. She closed her eyes before picking the stick up of the counter. And there it was - on the supposedly idiot proof stick the word "pregnant".
So she did the only thing she could do. She took the next three tests. Lines, plusses - every possible symbol of the process sat before her.
After hours of torturing herself, she had to come to the same conclusion. She was the stupidest person on the planet. And she was pregnant.
And she didn't know what to do next. The only person she knew she had to talk to was Gus himself.
She picked up her phone and shakily dialed his number. His clear deep voice answered. "Hi, honey" he said. Did he say that to his wife, too? Did he say that to the other women he had slept with over the years?
"I have to talk to you," Demi squeaked. She started to cry.
"Oh no, what's wrong?" His voice became clouded with concern. Or was that something else?
She stuttered on all of her words. She wasn't sure she could get it out. Maybe she should ask for him to meet her. Maybe she should just run away. "Gus, I'm pregnant" she heard herself say.
There was silence on the other end of the phone. Demi kept crying. "Did you hear me?" she finally asked.
It took another few moments for him to respond. "Yes." he said quietly. After another pause he said, "Don't worry, Demetra. We will figure something out."
There wasn't anything more to say. After some silence and quiet goodbyes, Demi curled up on the couch leaving all the work for the day unfinished. She couldn't eat, she couldn't sleep, she just stared. Finally she got up the energy to call the staffing company and leave a message on their voice mail. She wasn't feeling well; she wouldn't be in to work tomorrow. She knew that would put her representatives into a tizzy in the morning and she might get several frantic phone calls that she wouldn't answer. She needed time alone. She needed to process things. Just this morning there had been nothing wrong in the world.
The next afternoon, Demi had still been sitting around in her pajamas watching TV all day. She had ignored calls from the staffing company, figuring she would call them before they left for the day and let them know where she would be tomorrow. And that would probably not be at work. Gus had not called her at all.
There was a knock at her door. She forced herself to answer it, even though she knew she looked like hell. She opened the door. Standing there was an average looking young man, someone she ha never seen before. "Are you Demetra S...?”
"Yes," she responded before he could finish her last name. She always interrupted people before they could even try.
"You have been served," he shoved a large envelope into her hands and walked away.
Demi closed the door and looked down at the envelope. Mercury Partners, LLC. Demi opened it carefully and began to read the letter. It was from Gus Gray's Lawyers, and it appeared to be regarding an agreement to pay for whatever she intended to do next.
Gus had sent his lawyers to end the affair.
Demi slithered out of the bed and wrapped herself in a silk robe. She walked out into the living room where she could see out the picture windows. Just like the day she met Gus, the sky was black and the storm clouds looked ominous. In a penthouse, there was no where to hide and she began to panic. She hurried back into the bedroom and shook Gus's shoulder. He opened his blue eyes and smiled, but changed his expression as soon as he saw her face. "What's wrong?" he asked, sitting up.
"There is another storm." she responded. He snatched the remote control from the bedside table that drew the curtains from the windows. The light in the room didn't change once the windows were drape-free. There was no rain yet where they were, but they could see the lines in the sky in the distance.
Gus furrowed his brows. "I suppose we should get out of here. Or at least get downstairs." He stood up, not bothering to cover himself. He rushed into his house sized closet to pull on jeans and a polo shirt. Demi traded her robe for a sundress and pulled her hair in a pony tail. She had begun keeping clothes at the penthouse. It wasn't something that seemed to be forbidden, and it didn't appear that Hannah Gray was every going to visit her husband in the city. Gus had spent most of the summer in New York, and Demi wasn't sure what fall would bring. Except, possibly, this storm. Perhaps this wasn't a coincidence.
Once dressed, she and Gus hurried down to the ground floor. Without the awkwardness of high heeled shoes, Demi managed to stay upright this time. As they reached the lobby they found they were just in time to see the hail start. She shouted out in surprise when the first hailstone hit the plate glass window in the lobby. "Isn't it August?" She asked in shock.
"I'll admit it is unusual," Gus said with some humor in his voice. "When this lets up a bit, I'll just get you home where you can be safe in case it storms all day." Demi nodded. He kissed the top her head, didn't even worry about the doorman looking on.
They stood in silence watching the storm roll through. Demi remembered reading a story on the internet just after the last big storm, the day she met Gus, about a new cloud type. A woman in Iowa had discovered it and taken photographs back in 2006. The local weather has been comparing that storm to the photos from Iowa. The woman described it as "Armageddon", which seemed appropriate. Demi thought of these clouds as Gus's clouds. At first, she didn't even hate them for the storm. Now she was starting to worry that they were back with some sort of vengeance. Scientists were still skeptical that these were even a new cloud type, but they certainly weren't like anything Demi had seen before. Just like the woman described in the article that Demi had read, this storm and these rolling clouds passed quickly. As the storm passed, Demi felt Gus's hand on the small of her back as he began to steer her toward the door.
Once in the car, as the sun began to glow hot over the city, Demi smiled up at Gus. "I think these storms are something you cause." She said.
He laughed, "How do you suppose that happens?"
"I don't know. Maybe the hand of God. Maybe he is angry at us."
"Would it help if I told you I don't believe in God?"
"I believe you think you are a God," Demi said teasingly. Gus laughed out loud again.
"Well, that may certainly be true."
He pulled the car in front of her office complex. Demi leaned in to kiss him before getting out of the car. "I'll call you later" he said and she shut the door.
Over the months, things had become pretty interesting. She was still working as a temp at Tempest. They didn't communicate in the office at all. But they did go out in public. They had avoided any sort of press, and she didn't actually know if anyone with any level of power had seen them, but she tried to keep a low profile when they weren't together. She stopped trying to socialize with the other temps. She knew they must all know. She knew everyone must all know, but no one was saying a word to her directly. They probably never would. She knew this had happened before. She wasn't going to lie to herself thinking it might be the last time either. But for now, she was having fun.
As she started to settle in, she thought about all the things she needed to do at her own apartment. She hadn't spent many weekends at home this summer. And even some weeknights she spent at Gus's penthouse. So, Demi decided to clean her bathroom. She changed her clothes, got out the cleaning supplies and started working. She didn't know if the storms would be back and she and Gus hadn't made any new plans for the day.
When she opened the medicine cabinet her mouth dropped open. Suddenly the entire summer of spending nights and days with Gus Gray came rushing over her like the storm clouds over the city. Sitting there, on the shelf, was a packet of birth control pills. The prescription was dated for May. She pulled the packet from the sleeve and realized it was completely unopened - unused. "Oh hell," she said to herself. She had been forgetting the pills. By the looks of things she hadn't taken them for more than two months. It wasn't like she had a lot of experience before now with this type of thing and supposed it had just slipped her mind. She sat down on the toilet. "Oh, my god" she repeated over and over again. But maybe she was fine. Maybe she should start taking them now. When was her last period? Dread filled her entire body.
The rest of the afternoon was a blur. With the cleaning products still strewn about her bathroom, she had run to the drug store and bought more than one pregnancy test. She didn't feel pregnant. She didn't know what that even meant, really. It wasn't like she had ever been pregnant before. She wasn't nauseous, she wasn't gaining weight. She remembered watching the show on the Discovery Channel - "I Didn't Know I Was Pregnant." She thought every time that there couldn't possibly be any way someone wouldn't know. Before taking the first test, she sat and stared at the instructions for what must have been hours. She didn't read them, she just stared at them. Finally her mind absorbed the process. She took the test and paced the hallway waiting for the results. She started to feel light headed now. She had launched from a great night right into the eye of the storm. Those low rolling clouds that she saw today became just as much an omen for what was happening to her now as the storm had been on the day she had met Gus Gray. The storm might not have brought him into her life, maybe it had been warning her. She had been lying to her mother. People were talking behind her back at work. Thoughts swam in her mind. The confusion of thoughts was interrupted by the buzz of the egg timer in the bathroom. She closed her eyes before picking the stick up of the counter. And there it was - on the supposedly idiot proof stick the word "pregnant".
So she did the only thing she could do. She took the next three tests. Lines, plusses - every possible symbol of the process sat before her.
After hours of torturing herself, she had to come to the same conclusion. She was the stupidest person on the planet. And she was pregnant.
And she didn't know what to do next. The only person she knew she had to talk to was Gus himself.
She picked up her phone and shakily dialed his number. His clear deep voice answered. "Hi, honey" he said. Did he say that to his wife, too? Did he say that to the other women he had slept with over the years?
"I have to talk to you," Demi squeaked. She started to cry.
"Oh no, what's wrong?" His voice became clouded with concern. Or was that something else?
She stuttered on all of her words. She wasn't sure she could get it out. Maybe she should ask for him to meet her. Maybe she should just run away. "Gus, I'm pregnant" she heard herself say.
There was silence on the other end of the phone. Demi kept crying. "Did you hear me?" she finally asked.
It took another few moments for him to respond. "Yes." he said quietly. After another pause he said, "Don't worry, Demetra. We will figure something out."
There wasn't anything more to say. After some silence and quiet goodbyes, Demi curled up on the couch leaving all the work for the day unfinished. She couldn't eat, she couldn't sleep, she just stared. Finally she got up the energy to call the staffing company and leave a message on their voice mail. She wasn't feeling well; she wouldn't be in to work tomorrow. She knew that would put her representatives into a tizzy in the morning and she might get several frantic phone calls that she wouldn't answer. She needed time alone. She needed to process things. Just this morning there had been nothing wrong in the world.
The next afternoon, Demi had still been sitting around in her pajamas watching TV all day. She had ignored calls from the staffing company, figuring she would call them before they left for the day and let them know where she would be tomorrow. And that would probably not be at work. Gus had not called her at all.
There was a knock at her door. She forced herself to answer it, even though she knew she looked like hell. She opened the door. Standing there was an average looking young man, someone she ha never seen before. "Are you Demetra S...?”
"Yes," she responded before he could finish her last name. She always interrupted people before they could even try.
"You have been served," he shoved a large envelope into her hands and walked away.
Demi closed the door and looked down at the envelope. Mercury Partners, LLC. Demi opened it carefully and began to read the letter. It was from Gus Gray's Lawyers, and it appeared to be regarding an agreement to pay for whatever she intended to do next.
Gus had sent his lawyers to end the affair.
Wednesday, January 6, 2010
The Underworld in Recent Fiction
You may recall the basics of The Underworld from Classics classes in High school. You know that souls will cross the river Styx on the ferry run by Charon. The Titans were banished to Tartarus after the war against the Olympians. You may also be familiar with several of it’s most famous residents – Sisyphus, endlessly pushing the rock up the hill only to have it tumble down again, and Tantalus who is always wish for the food and drink just out of his reach. Recently, two very different authors have included amazing descriptions of the Underworld in all of its splendor, or lack there of.
To give you a little refresher, feel free to check out one of my favorite sites on the subject is Myth Man’s Homework Help Center page on The Underworld.
I particular love the map of the underworld there:
In the popular young adult series, Percy Jackson and the Olympians, author Rick Riordan provides a very colorful description of The Underworld, and of Persephone herself, in the final book of the series, The Last Olympian.
About the palace gardens, Riordan writes:
The Percy Jackson books are a fantastic Young Adult introduction to Greek Mythology. Riordan really does his mythological homework and has woven a delightful tale. I hope that perhaps you might be interested in checking them out for yourself if you haven’t already.
That brings me, however, to my favorite underworld description. This comes from Margaret Atwood’s Penelopiad. Written for the Canongate Myth series, it is a tale of the Iliad and Odyssey from the perspective of Odysseus’s faithful wife, Penelope. In order to share this description, I have to give a little of the story away: it is told by Penelope after her own death when she is living in the underworld herself.
A little bit of Persephone can be found in some of the most random places.
To give you a little refresher, feel free to check out one of my favorite sites on the subject is Myth Man’s Homework Help Center page on The Underworld.
I particular love the map of the underworld there:
In the popular young adult series, Percy Jackson and the Olympians, author Rick Riordan provides a very colorful description of The Underworld, and of Persephone herself, in the final book of the series, The Last Olympian.
“We emerged at the base of a cliff, on a plain of black volcanic sand. To our right, the river Styx gushed from the rocks and roared off in a cascade of rapids. To our left, away in the gloom, fires burned on the ramparts of Erebos, the great black walls of Hades’s kingdom.” (pages 116, 117)
About the palace gardens, Riordan writes:
“It was beautiful in a creepy way. Skeletal white trees grew from marble basins. Flower beds overflowed with golden plants and gemstones. A pair of thrones, one bone and one silver, sat on the balcony with a view of the Fields of Asphodel. It would have been a nice place to spend a Saturday morning except for the sulfurous smell and the cries of tortured souls in the distance.” (page 120)And, I do so love his description of Persephone herself.
“Queen Persephone studied me curiously. I’d seen her once before in the winter, but now in the summer she looked like a totally different goddess. She had lustrous black hair and warm brown eyes. Her dress shimmered with colors. Flower patterns in the fabric changed and blossomed – roses, tulips, honeysuckle.” (page 121)
The Percy Jackson books are a fantastic Young Adult introduction to Greek Mythology. Riordan really does his mythological homework and has woven a delightful tale. I hope that perhaps you might be interested in checking them out for yourself if you haven’t already.
That brings me, however, to my favorite underworld description. This comes from Margaret Atwood’s Penelopiad. Written for the Canongate Myth series, it is a tale of the Iliad and Odyssey from the perspective of Odysseus’s faithful wife, Penelope. In order to share this description, I have to give a little of the story away: it is told by Penelope after her own death when she is living in the underworld herself.
“It is dark here, as many have remarked: ‘Dark Death’, they used to say. ‘The gloomy halls of Hades’, and so forth. Well, yes, it is dark, but there are advantages – for instance, if you see someone you’d rather not speak to you can always pretend you haven’t recognized them.
"There are of course the fields of asphodel. You can walk around in them if you want. It’s brighter there, and a certain amount of vapid dancing goes on, though the region sounds better than it is – the fields of asphodel has a poetic lilt to it. But just consider. Asphodel, asphodel, asphodel – pretty enough white flowers, but a person gets tired of them after a while. It would have been better to supply some variety – an assortment of colours, a few winding paths and vistas and stone benches and fountains. I would have preferred a few hyacinths, at least and would a sprinkling of crocuses have been too much to expect? Though we never get spring here, or any other season. You do have to wonder who designed the place.” (Pages 15, 16)If you have not read this story yet, please take the time to do so. And while you’re at it, read everything else Margaret Atwood has ever written – you won’t be disappointed.
A little bit of Persephone can be found in some of the most random places.
Monday, January 4, 2010
10 Feet Small by Josh Joplin
In the summer of 2006, my partner Matt was invited to play drums for a service at our Unitarian Universalist Church. The theme was “The Gospel of Pop” and a full rock band played several recognizable songs and then the worship leader would speak on the spiritual themes of each piece. The songs included such pieces as “I Still Haven’t Found What I am Looking For” by U2 and “Beautiful” by Christina Aguilera. The process got me thinking that there were pop songs that I loved that spoke to me about the story of Persephone. Some songs have distant connections, some more obvious ones. But one in particular has my attention right now. It is an old song by Josh Joplin and his first band. It is on a CD called Projectorhead, originally released in 1996, which Matt and I picked up at a Josh Joplin show several years ago. There is one song on it, "10 Feet Small" that really gives me a Persephone-like feeling.
The song starts out with a traditional American folk song called “Shady Grove”. The song comes from the 18th century and in the folk tradition there are countless versions of the song. The version Josh Joplin sings at the beginning of “10 Feet Small” is as follows.
Shady Grove, my little love
Shady Grove I know
Shady Grove my little love
Bound for Shady Grove
Wish I had a piece of thread
As fine as I could sew
I’d sew my true love by my side
And down the road I’d go
Cheeks as red as the bloomin' rose,
eyes of the deepest brown
You are the true love of my life
Stay ‘til the sun goes down
Shady Grove, my little love
Shady Grove I know
Shady Grove my little love
Bound for Shady Grove
Shady Grove, my little love
Shady Grove I say
Shady Grove my little love
And wait for the judgment day
I originally thought that I understood this piece of the song as something Hades would sing to Persephone, but based on the rest of the Lyrics I believe it may just be the other way around. It seems as if the name of the “little love” is, in fact, “Shady Grove” which I could easily see as a pet name that Persephone might call her lover. Many of the versions have different items that the singer wishes they could have. The Jerry Garcia version wishes he could have a banjo string made of golden twine. The Doc Watson version wishes he could have a big fine horse and corn to feed him on. I have not yet found a version where the singer wishes they could have a “Piece of thread as fine as [he] could sew” as Joplin sings. I also love the image of the judgment day. Since Judgement Day has so many mythical connections to the end of the world, or a big death as it were, I think it could refer to the day that Persephone can return to the underworld to be with her lover again. This reference is also something I have not found in any other version of Shady Grove that I have found. With these two images that are so specific in my mind to the myth of Persephone, I simply love the thought of this song being a love song from Persephone to Hades. And I see the remainder of the song a Persephone’s message to her mother, Demeter, upon her return to Olympos.
Looking out my window high above I am 10 feet small
Suddenly I feel and I’m alive and I see me fall
See me fall
Thinking things I never thought before, I will not atone
The sin of knowing I am not wise but I’m not alone
Not Alone
Somewhere between fear and frustration I find myself
And I am someone else
I find myself, and I am someone else
Looking out my window high above wishing you were here
I pretend I understand love but I’m not that clear
Not that Clear
Somewhere between feeling and not feeling I find myself
And I am someone else
I find myself, and I am someone else
Who are you to tell me that you’re sorry?
I find myself, and I am someone else
Who are you to tell me that you’re worried?
I find myself, and I am someone else
I am someone else
Looking out my window high above I am 10 feet small
Suddenly I feel and I’m alive and I see me fall
See me fall
What this song touches in me is the feeling that Persephone must have when she returns year after year to stay with her mother, but be distant from her husband. When Persephone returns each year, she is no longer the innocent maiden she was the first time she played in the fields with the other virgin goddesses. She says "Somewhere between fear and frustration I find myself and I am someone else." I can see her high on the towers of Olympos overlooking the green grasses and the blue sky touched with cottony white clouds. She had become to use to the black and white world of the Halls of Hades where the people and the palaces were simply colorless and she was the only touch of brightness in the kingdom. She feels alive, as she has been in the land of the dead for the last 6 to 9 months, depending on the version of the myth you read. But she recreates her decent in her mind. She has thoughts that are new to her, thoughts she would have never had before she journeyed into the underworld to be with her husband. And she is not willing to think these things are wrong in any way. As she says, “the sin of knowing I am not wise, but I’m not alone”. Does this mean she has come to terms with being less than wise or has come to terms to the fact that she is no longer alone – that Hades is with her even when she is apart from him. She is, in fact, someone else. She is no longer the virgin but the wife and queen.
There on Olympos, though, she wishes Hades could be with her. But this is not his world. She is to spend this time with her Mother alone. I love the ambiguity of the statement that “I pretend I understand love, but I’m not that clear.” The story of Persephone has been traditionally associated with abduction and rape, so Persephone herself might have some mixed feelings. Is this love? Is this Stockholm Syndrome? So what is the place between “feeling and not feeling”? For me this place would be numbness; a place where you could feel only a dull ache where something once left a gaping wound. In that numbness, once again, Persephone knows that she is not the same goddess she had been before her journey to the underworld.
I even seen this accusation aimed at her mother, Demeter: "Who are you to tell me that you’re sorry? I find myself, and I am someone else. Who are you to tell me that you’re worried? I find myself, and I am someone else." How do you explain to your mother that you are no longer the child that she coddled? You have moved on, you are an adult and you will live your own life? Persephone has anxiety about this, but at the same time she is ready to finally stand on her own two feet and not let her mother be in charge of her future. Things have changed, and Persephone knows it in her heart even if Demeter cannot accept it.
The song ends for me with Persephone watching herself fall. Her fall is her return to her husband and her own world. This place is her place now, not the heavenly realm of Olympos. It is only in the Underworld that Persephone is her own person.
Song can be a form of prayer. And when I listen to this particular song, I feel connected to my Goddess in a way I wonder if others can experience. I hope that this glimpse into the world of Josh Joplin and Persephone can help shed light on that feeling.
You can hear the song at the Neos Alexandria Music page here. Scroll down to the Mix Tape section, look for Persephone and click on the blue dot for the song.
The song starts out with a traditional American folk song called “Shady Grove”. The song comes from the 18th century and in the folk tradition there are countless versions of the song. The version Josh Joplin sings at the beginning of “10 Feet Small” is as follows.
Shady Grove, my little love
Shady Grove I know
Shady Grove my little love
Bound for Shady Grove
Wish I had a piece of thread
As fine as I could sew
I’d sew my true love by my side
And down the road I’d go
Cheeks as red as the bloomin' rose,
eyes of the deepest brown
You are the true love of my life
Stay ‘til the sun goes down
Shady Grove, my little love
Shady Grove I know
Shady Grove my little love
Bound for Shady Grove
Shady Grove, my little love
Shady Grove I say
Shady Grove my little love
And wait for the judgment day
I originally thought that I understood this piece of the song as something Hades would sing to Persephone, but based on the rest of the Lyrics I believe it may just be the other way around. It seems as if the name of the “little love” is, in fact, “Shady Grove” which I could easily see as a pet name that Persephone might call her lover. Many of the versions have different items that the singer wishes they could have. The Jerry Garcia version wishes he could have a banjo string made of golden twine. The Doc Watson version wishes he could have a big fine horse and corn to feed him on. I have not yet found a version where the singer wishes they could have a “Piece of thread as fine as [he] could sew” as Joplin sings. I also love the image of the judgment day. Since Judgement Day has so many mythical connections to the end of the world, or a big death as it were, I think it could refer to the day that Persephone can return to the underworld to be with her lover again. This reference is also something I have not found in any other version of Shady Grove that I have found. With these two images that are so specific in my mind to the myth of Persephone, I simply love the thought of this song being a love song from Persephone to Hades. And I see the remainder of the song a Persephone’s message to her mother, Demeter, upon her return to Olympos.
Looking out my window high above I am 10 feet small
Suddenly I feel and I’m alive and I see me fall
See me fall
Thinking things I never thought before, I will not atone
The sin of knowing I am not wise but I’m not alone
Not Alone
Somewhere between fear and frustration I find myself
And I am someone else
I find myself, and I am someone else
Looking out my window high above wishing you were here
I pretend I understand love but I’m not that clear
Not that Clear
Somewhere between feeling and not feeling I find myself
And I am someone else
I find myself, and I am someone else
Who are you to tell me that you’re sorry?
I find myself, and I am someone else
Who are you to tell me that you’re worried?
I find myself, and I am someone else
I am someone else
Looking out my window high above I am 10 feet small
Suddenly I feel and I’m alive and I see me fall
See me fall
What this song touches in me is the feeling that Persephone must have when she returns year after year to stay with her mother, but be distant from her husband. When Persephone returns each year, she is no longer the innocent maiden she was the first time she played in the fields with the other virgin goddesses. She says "Somewhere between fear and frustration I find myself and I am someone else." I can see her high on the towers of Olympos overlooking the green grasses and the blue sky touched with cottony white clouds. She had become to use to the black and white world of the Halls of Hades where the people and the palaces were simply colorless and she was the only touch of brightness in the kingdom. She feels alive, as she has been in the land of the dead for the last 6 to 9 months, depending on the version of the myth you read. But she recreates her decent in her mind. She has thoughts that are new to her, thoughts she would have never had before she journeyed into the underworld to be with her husband. And she is not willing to think these things are wrong in any way. As she says, “the sin of knowing I am not wise, but I’m not alone”. Does this mean she has come to terms with being less than wise or has come to terms to the fact that she is no longer alone – that Hades is with her even when she is apart from him. She is, in fact, someone else. She is no longer the virgin but the wife and queen.
There on Olympos, though, she wishes Hades could be with her. But this is not his world. She is to spend this time with her Mother alone. I love the ambiguity of the statement that “I pretend I understand love, but I’m not that clear.” The story of Persephone has been traditionally associated with abduction and rape, so Persephone herself might have some mixed feelings. Is this love? Is this Stockholm Syndrome? So what is the place between “feeling and not feeling”? For me this place would be numbness; a place where you could feel only a dull ache where something once left a gaping wound. In that numbness, once again, Persephone knows that she is not the same goddess she had been before her journey to the underworld.
I even seen this accusation aimed at her mother, Demeter: "Who are you to tell me that you’re sorry? I find myself, and I am someone else. Who are you to tell me that you’re worried? I find myself, and I am someone else." How do you explain to your mother that you are no longer the child that she coddled? You have moved on, you are an adult and you will live your own life? Persephone has anxiety about this, but at the same time she is ready to finally stand on her own two feet and not let her mother be in charge of her future. Things have changed, and Persephone knows it in her heart even if Demeter cannot accept it.
The song ends for me with Persephone watching herself fall. Her fall is her return to her husband and her own world. This place is her place now, not the heavenly realm of Olympos. It is only in the Underworld that Persephone is her own person.
Song can be a form of prayer. And when I listen to this particular song, I feel connected to my Goddess in a way I wonder if others can experience. I hope that this glimpse into the world of Josh Joplin and Persephone can help shed light on that feeling.
You can hear the song at the Neos Alexandria Music page here. Scroll down to the Mix Tape section, look for Persephone and click on the blue dot for the song.
Saturday, January 2, 2010
Persephone in Winter
I was looking for something seasonal, and came across this poem.
Persephone in Winter
Persephone in winter-time
Lay still, nor gave a thought
To the fierce surging tides of flowers
Her restless youth had brought.
Trapped beyond touch of pain or sorrow,
Gaoled in high walls of aquamarine,
Her blue eyes veiled from any morrow,
She slumbered . . . Pluto’s queen.
The sharp-toothed conies burrowed down
To find the jonquil maiden
Seen dancing through their hillocked town
Her bare arms blossom-laden;
With frightened eyes, the seekers crept
To nibbled grass again,
Telling of how the Ivory slept,
Too still, too chill for men.
Only the snake, whose thought strikes cold
From ancient jewelled eyes,
In rings of mottled green and gold
Slips round her girdle-wise.
Only the stealthy lute-string sound
Of hesitant waters underground,
Only the ice-blue water-drips
Are secret as her lips.
You can learn more about Robyn Hyde here.
Persephone in Winter
Persephone in winter-time
Lay still, nor gave a thought
To the fierce surging tides of flowers
Her restless youth had brought.
Trapped beyond touch of pain or sorrow,
Gaoled in high walls of aquamarine,
Her blue eyes veiled from any morrow,
She slumbered . . . Pluto’s queen.
The sharp-toothed conies burrowed down
To find the jonquil maiden
Seen dancing through their hillocked town
Her bare arms blossom-laden;
With frightened eyes, the seekers crept
To nibbled grass again,
Telling of how the Ivory slept,
Too still, too chill for men.
Only the snake, whose thought strikes cold
From ancient jewelled eyes,
In rings of mottled green and gold
Slips round her girdle-wise.
Only the stealthy lute-string sound
Of hesitant waters underground,
Only the ice-blue water-drips
Are secret as her lips.
You can learn more about Robyn Hyde here.
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